
"Dedicated ut Reputo , Imbibo , Partum quod Bacca Hilaris" Dedicated to Thinking, Drinking, Creating and Being Merry! "Nos Puto in Lunctum per Varietas" We believe in Unity through Diversity!
Sunday, April 11, 2010
ROSI

Saturday, April 10, 2010
Agent of Anarchy

Rock-& Pop in the 21st century is Andy Warhol's version of artistry -- reproductions, distillations, provocation. McLaren saw it coming a long time ago. "Malcolm McLaren Invented Everything," blared the headline to a 2007 interview feature in Vice magazine. He surely appreciated the hyperbole.
If McLaren saw the Gaga world coming, it was because he worked in visual terms at least as much as musical. The co-proprietor with then-girlfriend Vivienne Westwood of an early-1970s London shop located on the Kings Road called Let It Rock, he kicked against the supposed ideals of the hippies -- "hippos," he called them -- by reintroducing the Edwardian fashions of the teddy boys of the 1950s, when rock 'n' roll in Britain was an anarchic reaction to the country's squalor and repression.
They soon renamed the shop Too Fast to Live Too Young to Die, which in turn became the bondage-gear boutique Sex

Managing the New York Dolls, McLaren had an idea that the glammy prepunk band would provide a forum for debating "the politics of boredom," a subject the Sex Pistols, the Clash (managed by McLaren associate Bernie Rhodes) and countless other punks would soon adopt as their own. He claimed he brought a new, confrontational look back to London from New York, the ripped T-shirts of a New York scenester named Richard Hell, who would soon co-found the bands Television and the Voidoids.
The Sex Pistols, who famously auditioned Johnny Rotten in the Sex shop, where he sang along to Alice Cooper's 'I'm Eighteen' on the jukebox, brought McLaren his own taste of fame when he was arrested after organizing the group's infamous boat ride down the River Thames during the Queen's Silver Jubilee. In the fictionalized documentary 'The Great Rock 'n' Roll Swindle,' released in 1980, two years after the Sex Pistols' implosion, McLaren gleefully played himself as the "Embezzler," claiming a Svengali role which Rotten, who would successfully sue his former manager, has loudly disputed over the years.
"Frustration is one of the great things in art," McLaren once wrote in a college notebook. "Satisfaction is nothing." Though his greatest achievement, the agitpop Pistols project, flamed out like the celluloid in 'Inglourious Basterds,' McLaren was just lighting his match. Whatever his indescribable forte was, it was not sitting still.
In the early '80s, he created Bow Wow Wow installing 13-year-old Annabella Lwin as lead singer -- as a New Wave tribal-drum jump-rope crew, helped introduce hip-hop to London with his own 'Duck Rock' album (with artwork by Keith Haring), and dreamed up visual styles ranging from a pirate theme popularized by Adam and the Ants to the multilayered, bag-lady "Buffalo Gals" look named after his bubblegum hip-hop hit. He proposed himself as manager of the young Red Hot Chili Peppers, then backed out after seeing the band perform. He collaborated with Afrika Bambaataa, Bootsy Collins, Jeff Beck and Françoise Hardy.
In later years, he found other receptacles for his creative juices, threatening to run for mayor of London and co-producing the film version of 'Fast Food Nation.' And his own music, so often charmingly inept and pretentious, hung around: Eminem and the Coup were two of many rap acts who sampled his songs, and Quentin Tarantino, the music connoisseur, featured McLaren's 'About Her,' a woozy rip-off of the Zombies' 'She's Not There,' on the 'Kill Bill Vol. 2' soundtrack.
Transforming the fashion and art and music industry by potently combining all three as a fist against the woolly establishment, will never be emulated again, as the embers of it all are now an unshockable staid middleage..
Friday, April 9, 2010
UK Knight in Wrong Job Shock

Jens Bekke, a spokesman for the world's fourth biggest brewer, said: "Previously, there has been free beer, water and soft drinks everywhere.
"Yesterday, beers were removed from all refrigerators. The only place you can get a beer in future is in the canteen, at lunch."
Mr Bekke said drivers retained an old right to have three beers per day outside lunch hours, and warehouse workers claimed the same right.
He said: "Because of that, the warehouse staff went on strike yesterday, with other staff striking in sympathy."
Bekke said as many as 800 had walked out on Wednesday, with 250 still on strike today.
The Confederation of Danish Industry and trade union 3F have agreed to look into the dispute.
There have been no shipments from Copenhagen today, but Carlsberg is expecting the financial impact of the strike to be minor.
Mr Bekke added that Carlsberg's trucks have alcohol locks so drivers would not be able to drink too much and drive.
Sir D (who dreams of free beer) of O










